answer code request picks up where he left off with his album (code, ostgut ton, 2014) and 12“ (calm down, mdr, 2015): with the neume ep the berghain resident offers three new tracks, meandering between restrained club contexts and brittle break beats, machinery and futurist soulfulness. the eponymous track “neume” starts off on a with shuffling rhythms atop a heavy kick, soon caught up by first surging then predominant drone motifs, flashing bleeps and piercing strobe sounds. “meta” on b1 clocks in instantly without any build-up: its rhythm section sets the tone with broken beats while acr slowly carves out more musical detail and textures: subtle command vocals from the machine room, swelling synth pads and other chilling, athmospheric means are subsequently being added until the track’s break where the emphasis shifts towards the kick, pads and synth melodies until the track’s sustained, smooth outro. “vis” on b2 is the ep’s most protruding track: classic uk garage shuffle rhythms and amen breaks are contrasted by a funky kick and dreamful pads, intertwined with additional sparse percusion, layered with what in the first instance sounds like chirping birds but then like sparking wires. answer code request continues what he does best: combining the warm human touch with chilled alienated aesthetics.

nice price deal !!! this ep is the culmination of over a decade of research into the hidden mysteries that dictate the workings of the power structure of the world we live in. the vocals reference situations and phenomenon hiding in plain sight. the matrix is real, and for those wishing to know more this ep is n essential guide. a1- is future modern aaacid house in ¾ time. the odd time signature works in unison with the phrenetic pastor manning telling it like it is with regards to the corrupt us president. the worst in the history of the entire nation. a2 - references jose’s delgato’s mind control experiments and the fact that this technology exists and is in use today. the track was made using the advanced mathematical scheme known as the golden ratio to achieve maximum “pleasure response” from those listening and dancing to it. b1 - emotive chord work along with a huge rolling bass line set the stage for redsilverj’s vocals about the 2 types of people with regards to the new world order. those who will sell out, and those who will wake up. period! lots of changes, melodies, and counter melodies work to make this the most beautiful sounding cut on the record. lush deep house. b2 - the deepest darkest house. ominous almost foreboding chords lay a murky foundation that quickly unfolds like a ghostly mist. the vocals are about the artificial womb phenomenon and the fact that humans will react and be treated like cattle by the elites. late late night deep banging higher consciousness house.

with his project fred und luna musician rainer buchmüller (sugar ray buckmiller) from karlsruhe, germany is paying tribute to his favourite electronic oriented music by using its characteristics like repetition and beautiful melodies, putting them in a contemporary context and preserving their subtle and seductive charm. fred und luna play their self described elektrokraut (concerning songs that are basically kraut mixed with electronic elements) and krautelektro (which is elektro mixed with kraut elements). they live in karlsruhe which, like düsseldorf, lies next to the river rhine. perhaps karlsruhe is the new (neu) düsseldorf, with fred und luna (as pioneers/vanguard).

triplepoint pres. pres. the 7th release of an experiment called sauron by one of our best artists simone de biasio. triplepoint pres. sauron, a vinyl that contains excellent techno melodies. simone de biasio - sauron is a track thought about leaving the track with an electric dance with its best carried synthesizer that goes straight to your ears to connect your body and soul to dance.

the second output of french producer sébastien bardy -floating birds- on numoment recordings. -floating birds- is a classic deep house track with a great arno e. mathieu remix. supported by : dvs1 (klockworks), karim sahraoui (transmat records), spencer parker (rekids), jane fitz, dj yellow, sébastien bromberger (modelisme), dj steef (retrofit)... « floating birds » long atmospheric intro with birds singing, deep and uplifting deep house cuts with classical tr 707, subtle acid bassline and a melodic pad that stays in your head. « floating birds (arno e. mathieu rn7 remix) » true to the arno e. mathieu’s productions, his remix is coming with a funk bass-line and additional cosmic melodies, bringing a soulful energy with organic textures, but keeping the electronic vibe from the main version.

the prolific producer shows he still has plenty of tricks up his sleeve across all four cuts and stitches in acid, jack and chicago styles with his own sense of charm. the kings comes hard and fast out of the blocks with big hits, wild synths and raved-up vibes that will have you punching the air. knowledge is another banger with powerful kicks and globular bassline run through with more ravey sirens, but this time is a little more haunted. crossing paths is all about a simple but effective bassline that bounces along and takes you with it in ways similar to an omar s joint, then wait is the most stripped back and mysterious of the lot with cosmic melodies panning about in a spacious and airy deep house groove. utterly timeless from start to finish, this is another massively effective offering from innershades.

lumièreslanuit is glad to welcome istanbul-based duo bärtaub (mutlu san & batuhan güler) for the 6th release of the label. as in most of the duos, each of the members has his speciality. whereas mutlu focuses primarely on the music production, batu is known by istanbuls house/techno aficionados as a restless dj. bärtaubs debut ep is called rhizome (type of plant root) not without reason. beats, melodies and bassline jump over, crawl under and draw apart from each other in unexpected and non-hierarchical ways. in the end, they all come together in a harmonious manner that creates an overall of excitingly playful forest-like atmosphere.

broken body is the follow-up to 2015s do it again single. this two-stepping banger is dripping with 90s retrofuturist sensualism, a heady and visceral latin jazz-tinged house track with a back beat guaranteed to get the dancefloor jumping. alister s trademark synth flourishes mingle with the vocals of returning collaborator rahan boxley, creeping into the mix with that repeating hook of jump on in, slim. when the beats are this infectious and the melodies are this strong, it s hard not to obey. on the flip side, you ll find the deep vibes of -ago-, an analog electronic freight train with a touch of acid mysticism, as well as -endgame-, an ethereal creeper replete with rolling arpeggios and drum machines. alister johnson is a staple of the toronto dj community and has commanded decks as far afield as the us, the eu, and south africa. his diverse production c.v. includes work for dinamo azari as well as the polaris-nominated zaki ibrahim. keep your ears on alister johnson, this is just the tip of the iceberg.

motion ward is pleased to present the debut of la based artist, social service. the sturdy yet dreamlike 5 track excursion, ss1, is a pensive debut that seamlessly navigates many of the intricate fibers that form the foundation of dance oriented music. from the warm and gently dubbed out melodies of chamber to the lively, dance-floor-ready constructions of stolen. ss1 stands as a quality entry point for social service-- a narrative that’s equally diverse as it is cohesive.

the eagerly awaited full length album from microlith aka rhys celeste lands on cpu. following his critically acclaimed debut e.p. hello 307, the maltese artist returns and makes his vintage synths dance to his signature - soulful, laidback braindance. each track is brimming with warm analogue melodies, sounds reminiscent of early detroit / chicago techno and rhys s expressive musicality. all four tracks on the vinyl e.p. are taken from the l.p. dance with me

faraway reach casts classixx’s young-but-nostalgic melodies and sublime chords in a more mature, restrained light, albeit no less lively and bright. establishing themselves as producers of note on their debut lp (pitchfork called them “great songwriters, too”), faraway reach delivers powerfully smooth and soulful jewels that are still decidedly their own - the classixx signature is one that can’t be traced. their love of plaintive voices and disco-inspired grooves is as evident as ever, but this time around everything is a bit bolder, the cast is bigger, the melodies distilled into a higher potency - it’s all just as good, but better. “on the first record, we wanted to include only people that were our friends, and have it be really personal…” david begins, a thought blake finishes: “this time we wanted to make a record with a lot of different kinds of vocals, to see if we could be the common thread.” the album traverses locales, vocalists and inspirations. it s a fitting movement for the duo, from venice beach to the mountains of south africa and everywhere in between - a faraway reach.
the double vinyl release includes a download code.

repress 2016 - dinky makes her evolution from inaugural dj to singer songwriter and front stage performer with new album dimension d out in june on visionquest. single falling angel is first to drop with remixes from two elite producers, matthew styles, who coproduced the album, and pepe bradock. both heighten dinkys layered ethereal vocals and mesmerising melodies with their own movement and elements of dark and light

person of interest goes into deep territories. steady house rhythms combined with offkilter melodies gives this ep a timeless feel. new music from a past era.

novoline makes music with equipment that was manufactured in 1988 and 1989, controlled via midi by two atari sts. as a sequencer he is using an algorithmic composition program that is 25 years old. with this program he creates sequences that he modulates live by shifting numbers and settings while recording. the process is improvised and contains a good portion of randomly generated melodies and drums, carefully selected and combined by novoline. the result sounds a little like something between a dark 80’s sci-fi soundtrack and an endless marching new beat extended version.

strut present an inspired new afro-electronic project for 2016, kondi band, a collaboration between sierra leonean kondi (thumb piano) player sorie kondi and us producer / dj chief boima, who himself has sierra leonean roots. the project was spawned after boima happened upon an online video of one of sories original tracks. sorie kondi is a blind musician with a will to thrive like no person i have met before, explains boima. my work with him began with a youtube link. i spotted the video for his track without money no family and was struck by his beautiful vocals and socially-conscious lyrics. these incredible melodies he was playing on his namesake thumb piano (the kondi) sealed the deal: i immediately decided to remix it.

it was only a matter of time before the detroit / sheffield music connection was made again, this time with annie hall taking a break from co-running detroit underground to make an appearance on like minded sheffield label central processing unit. annie dedicates this e.p. to women in science (marie curie, lise meitner, elizabeth arden and caroline herschel) when tenured positions for women working in the field were extremely rare. although the tracks appear to be straight from the science lab, don t let that fool you as each track is brimming with laid back computer funk with subtle melodies that keep you hooked. annie has deviated from her signature fractured beats and delivered an easy listening electro affair that s equally at home on the dancefloor as it is chilling in high fidelity. tenured positions is a limited edition (300 copies worldwide) 12- vinyl with printed sleeve, paper inner and shrinkwrapped.

in this offering by the berlin-based and made in the middle east label disco halal, we urge you to meet nadav spiegel, better known as autarkic. autarkic is a self-sufficient artist and live virtuoso, he is the first member of the disco halal family which will be releasing his music in spring 2016. “can you pass the knife?” is about the struggle being stucked in a gap between longing to his homeland and what it could have been like and a heavy criticism on what it actually became. it will be a mini-lp containing 6 mesmerizing songs, “asi keta g”, “solo gun”, “watch out”, “the misorientation of autarkic”, “ufo (space version)” and “tender lies”. that might sound like only a combination of random words now, but after being heard, these songs will help you to enter the embodiment of autarkic​ and allow you to save a piece of his soul on your shelf. shimmering melodies, gibberish language, haunting vocals, extended beat programming and one-take recordings, should mark the beginning of a new disco halal phase. after releasing mainly edits from around the transcultural hemmesphere, the transition to original exquisite music seems to be a necessity.

following on from the successful release of basic colour theory: remixed in march, catz n dogz announce their latest ep upsi bubsi. the duos first release of 2016 welcomes the new year in true catz n dogz fashion with two tracks ep is a fruitful twist of cosmic melodies mixed under the duos trademark heavy tech-house styled bass and percussion.

gatefold 2x12 inch lp + download! psychedelic sound scapes, reverb and melodic vocals as well as a pulsating energy all that is the typical characteristics of solingen based quartett blackberries. since their debut music for the night was released in 2012 the band was touring across germany – amongst headliner shows and festivals, the musicians also shared the stage with acts such as imagine dragons, bastille, pond or toy. moreover they kept writing new songs, which will be released on their long awaited second record greenwich mean time. the double vinyl contains the matured blackberries sound. carefree 60s and neo-psychedelic combined with kraut rock, dark acid-folk and the very own blackberries touched melodies create a record full of atmosphere

as the dust only just begins to settle after the sensational release of matthias meyers watergate 20 installment, its time to unleash the mixes exclusive cuts. kicking things off, meyer delivers an enchanting ride with la strings, where whimsical pads rise and sweep as a hypnotizing bass line whirls endlessly across a landscape of earthy percussion. while still maintaining his trademark sound but taking a slightly deeper path, meyer conjures up the super dreamy uluwatu. settled firmly in rich organic percussion and lush melodies, uluwatu jaunts effortlessly through overgrown rain forests and lavish emotions. next up is gorje hewek and izhevskis turgoyakk and its an absolute gem. opulent pads, sensuous strings and powerful keys culminate in a profoundly vivid tour into truly emotional territory. finally, yokoo & retza deliver an impressive number with the dazzling satori which is laced with ornate keys and soft siren calls rounding up the release with timeless style

ew york s p. leone is next up on spencer parker s work them records bringing a trio of hard-hitting cosmic cuts. born and raised in south brooklyn, p. leone cut his teeth djing during a short stint in tokyo as well as his home of new york before dedicating himself to the studio. he now arrives on parker s work them records, beginning his debut three-track release in mesmerising fashion with atria delivering spectral atmospherics and tantalising melodies. sequences of attraction then introduces thunderous kicks and soaring synths until miradouro wraps things up with dusky pads, echoing aesthetics and spellbinding arpeggio

your silent faces second release – the first on his own label tethys records – continues the deep, brooding techno trajectory set by his first track on fiedeltwo, a place where arms bend backwards. title track red rain is urgent yet considered: subtle acid lines swirl and build against bright defined percussion while the bassline builds towards infinity. it reveals ysf’s inspirations from motorik music, early industrial bands like nitzer ebb and deep techno heroes including sandwell district and rrose.kleinian transform takes techno to a place where georgio moroder meets front 242 and basic channel, creating robotic space-tracks with dub disco melodies, insistent bassline and mighty crescendos. its a late night dancefloor track influenced by dj hell and francois k, but equally by coil and new order. scorched earth closes the red rain ep with a post–apocalyptic melancholy, a soundscape which nods to kraftwerk and boards of canada. this is the track ysf wants you to hear at the end of times, recalling the blistering winds of post-nuclear fallout: darkly spacious, with a questioning melody. the ep was mastered by keith tenniswood at curvepusher.

composer kate simko, along with her all-female london-based string ensemble london electronic orchestra, release their highly anticipated album. kate simko has composed tracks that subtly blend her training as a classical pianist with her passion for electronic music. the result is an inimitable mix of sonorous strings and instruments melting with synthesizers and loose grooved beats, taking classical music to an innovative level. musical worlds collide, with a rework of schubert, egyptian and eastern melodies, rainforest samples, philip glass-inspired minimalism and classic 808 electronic drums. the album includes reworks of the xx and parra for cuva, as well as collaborations with prominent uk house dj jamie jones and pop singer katy b.

past releases - crosstown rebels, one records, leftroom limited and ffrr party affiliations - circoloco, flying circus, luciano & friends francesca lombardo has cultivated a sound of her own, one that represents her multi-disciplinary musical background and transcends the dancefloor with ease. creating emotional narratives via wistful soundscapes, stirring melodies, hypnotic rhythms and her own mesmerising voice distinguishes her from the crowd.

give a warm welcome to a new afu member, mexican dj and producer israel toledo with his undertaker ep !all tracks convince right from the start, very fat produced and arranged with compelling melodies and a driving bass. after five years israel toledo is back again on vinyl. this ep is a welcome opportunity for all fans and vinyl lovers to enjoy the distinctive sound of israel toledo on the black gold again.

the new release from help presents works from various help-releated artists. another release from the arhus-imprint that doesn’t directly state club-proof, but still, this one wouldn t mind having a spin or two by your local dance pusher.the opening track is by central, a ripe house tune with both melodies and good-vibes - probably the closest this young man has come to making an anthem. next up is the four piece group maizena with an ambiguous rhythmical ambient-house jam from the area of denmark with the least rainfall. on the b-side you’ll find a raw and to the point recording of dj sports and c.k joining ph 1 in his throwback techno-studio in the suburbs of arhus. next up is the long awaited debut from manmade deejay, who has been cooking a floating rhythm jam for this 5 course meal of modern danish cuisine. last but not least amsterdam-based kaap joined central on a fine day at rubber studios to create this dreamy and galloping ride. all in all this genuine piece of wax is filled with local devotion and love from the help-crew. thanks for the support!

hackney, london, producer joel john (aka joel wilson) has been making waves for some time with this intricate experimental techno. his floating arch ep adds some twisted melodies to some of the funkiest machine rhythms known to man. 5 standout tracks from this awesome producer, entrusted to pure tape..

tommy garofalo aka turbojazz returns to local talk after remixing corrado bucci back in 2015. a producer with great versatility that started djing and producing music during the 90 s, heavily inspiried by hip hop. something that would bring him to explore the whole black music culture, from dance floor jazz to rare funk and disco, passing through all things soulful and deep. take all of the above & stir it in a musical pot and you get the unbreakable ep , the debut 12- on local talk from turbojazz. the ep kicks of with please u which features david blank on vocals. a retro-futuristic track with warm chords draping themselves over snappy snares & melodies. on the flip, unicorn rising bounces along with the sort of finesse you d expect from a producer like recloose, it s flavoured with quirky breaks and warm fuzz bass & analogue-sounding keys. last but not least we ve got evm128 on remix duties, a feel-good slice of broken beat anyone ? it s a blinder ladies and gentlemen.

** ltd 2016 repress ** the next release on fofs deeper house offshoot sees the labels roster swell to include two producers who are ascending the ranks, their recent >gruff it< track on the hotter than hot >visionquest< label has turned a heads and they look set to continue their upward trajectory. matthew has also released solo projects on john shepheards >retrofit< label as well as providing the debut release for sammy ds >ultrastretch< label. not only that but matthew is currently in the middle of his summer residency at berlins much revered club der visionaere. >take me away< is a pure slice of chord driven deep house and as such is a slight departure for the duo, the melodies inclining towards more melancholic feelings. remixes come from recent fof favourite scahtrax who strips the track right back, injecting a booming bass heavy kick drum & atmospherics to lend the track a more hypnotic tone. label co-owner blm injects a dubbier feel into his take on the flip. finally, matthew burton goes solo for >tell them phill sent ya< - a loose limbed dancefloor workout reminiscent of perlon in their pomp.

after his exciting album elasticity on his own imprint elastic dreams, a sagittariun delivers the equally fascinating three track oxidize ep for german label couldnt care more. while heights is a stripped-down basic-channelish techno ride, rough, edgy and with a hint of hypnotic melodies, the title track heads in a quite different direction: still its raw expressionistic techno, but the flow is ever-changing, mesmerizingly shifting and twisting between hissing beats and enlightened synths. for the remix of oxidize golden pudel club resident and odd-house virtuoso rvds fires up the acid machine and does it detroit style, warm and cold, uplifting and melancholic.

sensoramic is a new label on a mission of sensory expansion. for the debut release the uk based imprint drafts new producer karousel to deliver two cuts of machine driven house. s.a.m., the danish oscillat/delaphine favourite appears on the remix fresh from delivering a slew of killer originals and remixes as well as his most recent mandar collaboration with lazare hoche and malin genie. on this reshape, he is at his most sublime best delivering an emotive retake on the original that stretches heady organs and melodies alongside a beat that refuses to let up.

religio is glad to present the first va series of the label rigorosely on vinyl only. a side is from lillo and fulvio ruffert & gregorio serasin, both minimal and deep tunes, lillo s track is more big deep bass and bouncy instead the creature from fulvio and his mate is focused on the mesmering soundscapes and deep dub melodies.. b side is from fnr and kitkalt the fnr tune is very organic and sexy and from his kind of producing very analog stuff taste, kitkalt delivers a more techy track, dark and shiny at the same time, a tune for smashing the dance floor..

new york house legend david morales arrives on radio slave’s rekids for a vinyl only release. homage to his formative years at the influential club of the same name, morales’ red zone project is the moniker which the def mix veteran produced many of his seminal remixes under, from the thompson twins to shawn christopher, clive griffin to overweight pooch and propaganda to the pet shop boys. rekindling the pseudonym for a vinyl only appearance on matt edwards’ renowned imprint, the release initiates with a robust dancefloor workout titled ‘don’t go’ that’s laced with heady melodies and energetic hats. meanwhile, ‘tribal funk’ is a more rhythmic cut featuring thudding drums, deep chords and compelling vocal samples.

the second ep on unequal has two fearless tracks from cloak. a1 is a peaktime oriented banger with evolving staccato hats and rough machine sounds all over. a2 goes one step further and disturbes with noisy droning synths and a sick low bassline. flip side by anselm tells a raw story in downtempo with crooked melodies and dense hi-hat rhythms.

second release of dancing like quagmire, italian white label (vinyl only) born to make people dance shouting“giggity giggity go”!!! this second chapter is born to rock the house with three original tracks from bolognese jackie plus whistling and addictive remix from “the kaizer” kai alcé.the title track “natural” is ispired by ‘90s italian house with voyaging atmospheres on irresistible snares drums, a2 “honestly” represented a continous and goes more deep and straight to move the dancefloor, while on the bsideyou can find kai alcé’s distinctive touch on “natural” vibes where the unmistakable flote bring soul overan undying chicago house groove. “glimmer” on b2 side close the ep with positive and quite melodies.

skam records are very proud to release an album of unheard tracks from one of our very first artists and it feels good to have him back home. jega has always provided his own slant on the genre, with warm standout melodies and his always edgy solid beats driving it all. its good to hear his machines working again after all these years. jega returns with a selection of the year before his seminal first release (ska006). a collection of unreleased tracks from 1995, recorded live to cassette tape and dat, and gathered 20 years later to form 1995. this album provides a glimpse into the fledgling electronic music scene of the 90s.

as half of teengirl fantasy, logan takahashi is best known for making glassy, expansive tracks. on his debut solo album nogeo, however, he creates an intimate world of fertile, furtive rhythms. throughout the album, techno-tinged patterns unfurl with zeal and digital melodies slowly rise and fall. if the music of teengirl evokes widescreen, technicolor club scenes, nogeo is a zoomed-in study of timbre, rhythm, and melody.
the vinyl release includes a download code.

a collection of synth-based burners, strong drum loops and danceable melodies. italo-trance for the whole family to enjoy.

during their european tour earlier this year, canadian duo jokers of the scene stopped over for a couple of days at club bizarre studio in northern france. the two pair of producers locked up and came up with betaville and breakwater, two killer lo-fi and spaced out tracks. betaville is a fuzzy dream that will make you dance in slow motion with your head in the clouds. boasting a strong melodic and nostalgic feel, it unfolds its warm analog synth pads, old school sequences and drum machine to psychedelic effect. imagine boards of canada wanting to make you dance. even slower is breakwater, a dirtier, chunkier track that ditches the softness of betaville in favour of a more in your face bass line and all together rougher attitude. it chugs along to old fashioned beat box claps and percussion and quirky synth melodies. lastly betaville gets the timothy j fairplay treatment of being violently pulled apart and chucked in all corners. reminiscent of early chemical brothers music, a heavy beat slaps over agressive drugged up analog sound effects while a repetitive, haunting melody screams on top and reverberated vocals whisper in your ears. scary.

following his uplifting 2015 single holdin on and its techy b-side faces, rony seikaly is back for another release on yoshitoshi that proves this renaissance man is a force to be reckoned with in modern house music. the two tracks on this ep possess deep grooves, but also flex a fair amount of melodic muscle. they liken back to the sound yoshitoshi became well known for in its infancy. the sword centers around some tribal percussion and carefully woven melodic ideas, but the track?s focus is decidedly on low end. a burly, assertive bass gives the mix a driving character suited for late nights. at time it feels like a modern take on progressive house from another era. all of a sudden is more or less an extension of the first track, giving the ep defined consistency. it s a delicately arranged and straightforward house feeler, the meat coming from a multitude of interlaced chords and melodies maneuvering carefully over more tribal percussion and a monstrous kick. the mission here is to inspire awe and wonder in dancers, and seikaly delivers on both accounts.

the second installment of almost there series is signed by edanticonf and starts with a six minutes ambient journey dedicated to the memory of max_m. a luminescent constellation where bleeps and sweet arpeggios saturate the atmosphere. the other two tracks presented on this ep describe the typical sound of the italian producer: mellow grooves, organic melodies, slow progression and smooth hypnotic dynamics realized using a full analog setup.

to celebrate record store day 2016, claremont 56 is proud to present something rather special – a killer single-sided release whose origins are shrouded in mystery. “tropic of capricorn” arrived at c56 hq with little or no information. while its’ humid sound effects and glistening, unfurling melodies evoke hazy memories of mediterranean sunsets and adriatic sunrises, the track’s creators live east of ukraine, in the colder surrounds of the russia. regardless of who made it, you’ll struggle to find a single that’s quite as warm, tactile and seductively groovy. built around a hypnotic, slo-mo groove, “tropic of capricorn” soothes and sedates from start to finish. its’ ingredients are relatively sparse – think gently undulating beats, toasty chords and an electric harp that gently ebb and flow like the waters of a mountain stream – but the results are nothing less than stunning.

with this new release best works records presents a new multi-talented dj and producer from georgia, gacha bakradze. this 4 track ep is not the typical club record but a mind stimulating piece of music. it opens with drift, a track where rhythm and beats are melting down in a pot full of warm flowing sound- scapes, then goes into more hypnotic lead sounds with the second track golshifteh. on the b-side youll find a techno infused remix from berghains resident norman nodge, elevating the original track drift to a real dancefloor bliss. the last track tiresome walk takes us on a sweet journey through playful melodies and laid-back rythmics, he delivers a majestic slow burn, crafting something that would serve well both as a stirring set opener or an emotional end.

italian analogue techno and noise worship from meze, who constructs 4 heavy bangers with his modular gear. one of the talents to watch, this guy, blending industrial rhythms with dark melodies.

after waiting for three years, jenifa mayanja has finally unleashed her new ep on swiss imprint deepartsounds the new ep features three original songs and a trinidadian deep remix of the song human nature. all tracks are well arranged that bound along with a smooth swathe of jazzy chords and pads over a technoid bassline. the songs take you on a space journey as a variety of cool beats and melodies creating a depth that is difficult to resist. once again jenifa delivers top quality, an attribute what makes her to one of the best female deep house producer

rekids latest signing peggy gou serves up two subterranean slices of quality with l.i.e.s. producer terekke providing a remix. the south korean artist, who was raised in the uk and now resides in berlin, kick started 2016 for rekids with her art of war release. she now returns to radio slaves imprint with a sequel. jen high boasts a heady bassline whilst quivering synths make way for serene key melodies. ‘when round, they go then deploys robust kicks as ebbing pads join acid licks, before germanys terekke provides a floating rendition comprised of soaring atmospherics and jazzy aesthetics.

jacktone records is pleased to announce our 13th release: a 12inch from seasoned san francisco psychedelic house producer, roche. roche showcases that he is at the top of his game, crafting absorbing sun-kissed leftfield house/techno that gets inside your head with its beautiful hazy melodies, supported by creative and layered drum programming. a deep haze of hardware/digi psychedelia glues the project together, pressing the listener to play the tracks one more time.

** repress 2016 **
hnny is back on local talk, and this time hes giving us noth-ing! after smash hits for the very first time, yearning and tears weve reached the fourth release on local talk and it s just as magnificent as his previous tracks. this single-sided and limited 12 is packed with all the trademarks of a great hnny track, its easy to see anyone would fall for this release - its got all the things weve come to love and enjoy from his effortless productions, clean melodies, vocal lines and harmonies that fit exceptionally well & distill the very essence of what house is about.

the debut album of deepbass going out on his informa imprint. consisting of 8 tracks all in his signature sound but in a more restrained and expressive nature. a sensory journey built of entrancing melodies, fluid motions and a transcending flow which creates a pure hypnotic effect. moments of electronic tribalism consistently layered with waves of delicate sonics and textures, taking you deep into the abyss creating strong imagery in a near cinematic style.